May 24, 2012

Spectrum 2012

SAL Entrance
Wow!  What a weekend!  I'm not sure if I can properly convey how awesome it was.  I'll try.  It started out rough, but that had nothing to do with the event... it was the stress of getting there.  Everything else was magical... I'm talking rainbows and unicorns!


And as always, click the images for a larger view.






Badge and Frank
Spectrum Fantastic Art Live 2012

First of all, Spectrum is an annual art book that showcases juried pieces of artwork from the previous year; be it for editorial, book covers, comic books, 3-dimensional, and unpublished. This book has been around for 19 years and the organizers of the book, Cathy and Arnie Fenner, figured it was time to put together a live gathering of these fantastic artists.  You didn't need to be in the book to be in the show.  That's a good thing.  I haven't been in the book AT ALL!  I've only submitted once, I believe.  The book for this year though, I definitely plan to have few submissions.

Why Kansas City of all places?  Well, that's where the Fenners are based out of.  And after being in the city for a few days, it was a perfect location.  More on that later.


Luggage and the 131lb box
Getting There and Back

American Airlines is the worst airline I've ever had to deal with!  Not only did the ticket counter accept a 131lb piece of luggage that was 31lbs overweight, causing me to miss my flight, they then screwed up the tickets for the rescheduled flight 10 hours later.  Apparently they wanted me to catch the connecting flight BEFORE the initial departing flight.  There went the buffer of time I planned.  Thankfully, I had that to work with.  THEN after not flying with American Airlines, they failed to refund my checked baggage fee.  Now I have to fight tooth and nail to get those fees back and maybe some sort of compensation for all the idiocy THEY gave me.  Their customer support line also is less than adequate.  I haven't been able to get through to ANYONE!  It would state that they are overloaded and then hang up.  I'm livid!

I knew my one piece of luggage was going to be questionable.  It needed to come.  No doubt about it.  It had all of my gear, merchandise, and originals in it.  Not only was weight an issue, but size too as it turned out.  I paid out the nose to get it there and back on the plane.  I paid for the overweight, oversized, AND the regular checked fee.  Each airline had different rates and flexibility.  One waved a fee, while the others stuck it to me.  Robbery I tell you!  I intended to cargo ship it, but time didn't permit it.  Next time, ABSOFUCKINGLUTELY!  FedEx is NOT the way to go either.  I looked up a quote... close to $600 each way.  Fuuuuck that!


Dan strikes a Frazetta pose
My Assistant or VP of Talent Relations

I had the best booth helper ever!  My friend, Dan Hodge, assisted me all weekend.  He helped diffuse the airline stress.  He, artfully, was able to listen and offer engaging conversation.  He was charming and was able to entertain purveyors of my work.  I think the only way he could have been any better is if he had boobs.  He was a kid in a candy store at the show.  He knew more about the other artists than I did.  Every time he left the table he'd come back with another purchase or story to tell.  I don't know much about the fantasy market other than I haven't rolled a d20 in like forever.




The booth
Live or Memorex

There was plans to change up my booth for this event.  I had designed a new backdrop that was wider, taller... featured 8 images and was printed on matte material.  However, it was stuck at the printers.  I can't put the blame entirely on the printer, I didn't have the Creature Feature painting done in time anyway to submit the final piece.  It'll be used for some other show.  I know that for future art shows, not comic conventions, I need to have originals framed and in the show-goers face.  They're there to see the paintings, not prints.  How tacky of me.

Dan took the reigns of re-laying out my table.  He put the Creature Feature painting on the table and staggered a few other items.  He offered me some excellent suggestions for future shows.  Thanks buddy!

As it turned out, the monster painting was a huge success.  Anyone who walked by was halted in their tracks and had to play the "Name All the Monsters" game.  I just hope they remember to buy the print online.


Kansas City

Kansas City Missouri has it together.  It seemed everywhere you looked there's some impressive piece of architecture, Art Deco facade buildings, Modern Art, plenty of parking, several taxi services, a bustling metro area on the weekend, an open downtown grocery store, a unique airport layout.  Perhaps KC showed me what it wanted to show off... hiding the unsightly.  But you know what, KC couldn't hide the weather which was beautiful and free of the humidity that I'm use to in most places.

Kauffman Cntr for the Performing Arts
Convention Center - Bartle Hall
Convention Center - Grand Ballroom
Public Library - Parking Garage
Public Library - Parking Garage

Portfolio Reviews

About a month before the event, they opened up registration for portfolio reviews.  The must've had 10 different editors from various avenues of the industry.  Reps from Tor, Orbit, Rockstar, Disney, Blizzard, Wizards of the Coast, DC Comics to name a few.  I signed up for the 3 maximum; Tor, Orbit, and Wizards of the Coast.

Tor and WotC both told me the same thing; where do I want to go with my career?  Orbit gave me the impression that I was already there.  It was just a matter of the right job landing on their desk.  Each didn't necessarily have anything critical to say, which is a relief.  It was more about direction and insight of the industry; pay, turnaround times and rights.

It was a sweet opportunity to have one-on-one face time with them.  It got my name, work, and personality on their radar.


Masters of Their Craft

I knew going into the show that the collected amount of talent would be staggering.  Many of the artists I've envied for the past 25 years were going to be there.  Their art books line the shelves of my bookcases.  It was always neat to see an original painting from my idols at a gallery... here originals were in abundance PLUS the opportunity to have dialogue and possibly have them see their influence on me.

Michael Whelan always seemed to be in close proximity during the weekend.  We first chatted in the elevator at the hotel.  Later, I purchased the larger prints of Lovecraft's Nightmare (a,b) from him.  He and his wife briefly hung out with us at the bar... chatting about everything but art.  Then, as the show was ending, he gave me some great advice on the monster painting.  He's an all around really cool guy!

I could go on with each master, but honestly, it'd be much of the same.  I'd stare endlessly at their originals, I'd share my appreciation of their work and how it's influenced me over the years, then we'd end with talk about the Spectrum event and how beneficial it is for our industry.  I constantly wrestled to keep the inner fan boy in check all weekend.

Jeff Preston
Brom
Mike Mignola
Boris Vallejo
Julie Bell
Gary Gianni
Virginie Ropars
Michael Whelan

New Friends

As a budding professional, this was the perfect gathering to expand my network of professional artists.  Some I met as fellow Spectrum presenters and others came by my table incognito.  It's refreshing to be among like minds... this is my tribe, the people who truly get me.  We share the same worries, struggles, aspirations, and rewards.  I hope to connect more with these new acquaintances at future events. Some probably through the glorious Facebook.  It was a pleasure sharing this experience with you all.


At the Midland
End Thoughts

Saturday evening they held an awards show at the majestic Midland theater announcing the nominees and presenting the Silver and Gold awards to each of the 10 categories featured in the annual book.  It was really endearing hearing each of the acceptance speeches.  So much passion and praise.  I think I got a bit teary eyed on a couple of them.  Phadroid (Android Jones and his wife) provided enchanting performance pieces through out... dancers interacting with light.  You had to have been there.

So after all is said and done and artists are back in their studios toiling away, the thought of doing the Spectrum Live event again is high on everyones to do list.  I definitely plan on doing it again, but most importantly, I REALLY NEED to get into the Spectrum  book next year.


March 27, 2012

Dichotomy


Final
Dichotomy is the first digital single from the highly anticipated Rein[Forced] album X Amount of Stab Wounds in the Back released by WTII Records available April 3rd.

I kept the design very simple.  A reversed tilted close-up of the album art.  Ta-da.  Done!

I wasn't aware that the release was going to be available as digital downloads only.  I thought there was going to be a physical disc.  I even designed for it.  Darn.  Well, here it is for your enjoyment.

Click images for larger views

I'll have a more detailed entry discussing the art and thought that went into the album art and design as that release date draws near.

February 15, 2012

Greenshift

Heidi Ruby Miller, author and columnist, unveils the brand new cover to her latest sci-fi novel GREENSHIFT in an Inveterate Media Junkies exclusive!

Click for a Larger View

Rather than post my usual step-by-step process here, Heidi was excited to infuse my thoughts into her column over at IMJ.  Click on over and read what she had to say.

This was my second cover for Heidi.  The first being Ambasadora.

February 12, 2012

Tools of the Trade

It recently came to my attention that I haven't mentioned what tools I use.  I've exhaustively went on and on about the steps, but never with what.  People want to know that I'm using attainable tools and safe materials, right?  Rest assured folks, unfortunately, there's no dark arts nor sacrifices in the conjuring of my paintings.

Click to enlarge
Pictured
  1. Spray Bottle of water - Used to keep mixed colors moist and to spritz painting when doing washes.
  2. Krylon Workable Fixative - Used in conjunction with the Matte Medium to help seal in previous layers of work.
  3. Liquitex Matte Medium - Also used to thin down paint.  Helps create a transparent color layer.
  4. Disposable Palette - Mixing and paint staging area.  Pad of 50 or so sheets.  Easy to tear off a sheet when out of room or done for the day.
  5. Sarah Graphite Transfer Paper - Used to transfer enlarged drawings on the prepped board.
  6. Golden Heavy Body Acrylics - Heavy Body works great for thinning colors without loosing pigment intensity.  Brand of preference.  I've used them since 1990.  Odd fact: The manufacturing plant is located minutes from my hometown.  They awarded me a Shopping Spree Scholarship when I graduated high school.
  7. 3M Blue Painter's Tape - My latest discovery after a lot of home remodeling.  I use to use masking tape but it often left the adhesive on the board when left on for more than a month.
  8. Hair Dryer - Essential for speeding up drying time.
  9. Golden Gesso - Great primmer for prepping boards.
  10. Mixing Cups - Used for mixing up washes and storing mixed colors for extended uses... just cover with plastic wrap.
  11. Assorted Brushes - Natural hair, synthetic, flat, oval, round, and wash, it doesn't matter as long as it holds color.  No bristle brushes!
  12. Eye Dropper - Used with the palette to moisten paint.
  13. Compass with Extender Beam - For big circles!
  14. Mechanical Pencil - .3mm with 6H lead.
  15. Click Eraser - For mistakes... I make them.  This one is a thin barrel model.  I have the standard larger one as well.  I also use the square plastic and kneaded erasers.
  16. Toothbrush - Perfect for creating fine to large splatter depending on the paint viscosity and flick technique.
  17. Badger Airbrush - Used mostly for making things glow.

Not pictured
  1. Masonite board - Bought and cut to 18" x 26" at the hardware store.
  2. T-Square - I have a nice all metal one.  It could be used as a weapon.  Seriously!
  3. Metal Ruler - It's solid, reliable, and slightly bows.
  4. Triangles - 45 and 60 degrees of various sizes with an inked edged.
  5. Paper Towels - For cleaning brushes and dabbing the forehead. Keep plenty on hand in case there's a spill.
  6. Scotch Tape - Sometimes I want to mask off an area.  Scotch Tape is thin enough to cut with an Exacto and has great sticking power.
I think I need to do a post dedicated to just the studio, my creative lair or as my friends call it, my man-cave.

December 29, 2011

2012 Appearances


A tentative list of where you can meet me, see the art, and pick up some sweet swag throughout the year.  I'll, hopefully, add more to the list.  I'll also post individual notices as each event nears.

Pittsburgh Comicon (Pittsburgh, PA): April 20-22
Spectrum Live (Kansas City, MO): May 18-20
Horror Realm (Pittsburgh, PA): September 21-23
Mid-Ohio Comic Con (Columbus, OH): September 29-30
Illuxcon (Altoona, PA): November 8-11

November 08, 2011

Super Haters Guest Weeks


I normally don't do these sort of things.  I paint... or so I'm known for.  I like to do comic-book work... just haven't had much time to do any.  When I do, I get bogged down by my own scripts and pre-production related material.  So when media mogul Nick Marino of Audio Shocker asked me for contribution to his long standing web-strip, Super Haters, I figured what the hell.

Super Haters is by far not a prestigious comic.  It's basic, crass, and overflowing with bathroom and sexual humor.  I like it for its simplicity.  There's nothing cerebral nor remotely complex.  The art is as bare-bones as it comes.  It's recycled... one pose each for the multitude of characters and no backgrounds!  There is absolutely no deep thought put into Super Haters.

I make it sound like a crappy comic.  It is!  But it knows it is and continues to have fun anyway.

My contribution... seriously, why would I do this?  Compete freedom.  Escapism!  I could do anything.  I had no creative restrictions.  There's a wide catalog of colorful characters to work with.  No continuity restraints.  A perfect recipe for a series of homages.

Initially, I was just going to have Nick's static character images amongst complex backgrounds.  Then, next thing I know, I'm formulating stories.  Good grief!  That wasn't what I needed to do.  'Keep it simple' was suppose to be the mantra.  Instead, I took my favorite movies and TV programs that dealt with the theme of identity in some form or another and worked some strategic replacements.  It was cool, but more involved than it needed to be... just like this post.

I finally ended up with a total of 10 strips... 4 of which were 2 parters.  Two weeks of daily comics.  Damn it, I was only suposed to do one week worth of material!  I am an over-achiever without a doubt.  My inked stories were colored and lettered by Nick himself.  So if there's praise or critique to be had, you know who to direct it toward.

My 2 weeks with the Super Haters began with #305 and ended with #314.



The Process

1) I used mostly screen caps to get the basis of each panel.  Is that cheating?  I wouldn't think so.  The lifting of dialog, however, is.  It's a blatant homage though.

2) I inked these strips with Copic MultilinerSP pens.  I never used them before.  I really like 'em!  I started with a 0.25mm and moved down to a 0.1mm.  I bought a 0.03mm, but found that was too fine a tip.


Things I've Learned

1) Know my limitations.  I spent too long doing twice as much of what was required of me.  I need to stop over achieving.  People will expect that from me.  Heaven forbid that I deliver under par.

2) My hatch inking style doesn't go well with flat coloring.  Perhaps if it had more tonal coloring it wouldn't look as jaring.  It's nothing against Nick's coloring, I just am not satisfied with the combination of hatch and flat colors.  I could have saved myself a lot of time by not hatching.

3) I like collaborations.  Two brains are better than one they say.  There were only two instances while scripting that Nick made editorial injunctions.  I'm flexible.  Nothing is concrete.  I just needed to re-think those ideas and try again.  No biggie.  On the other hand, I played editor to Nick's coloring.  He had to have gotten a bit disgruntled with my numerous change requests.

4) In the end, I had fun doing this.  I'd do it again.  Nick, thanks for the crazy opportunity.


Referenced

If you're curious, stumped, or clueless to what each strip is referencing, look no further.

#305/#306: The Empire Strikes Back ('80).  Luke confronts himself in the cave on Dagobah.
#307: Fight Club ('99).  Big Moosey lays dead on Project Mayhem's kitchen table.
#308/#309: The Thing ('82).  MacReady singling out the monster in a paranoid camp.
#310/#311: The Matrix Reloaded ('03) - The replicating Agent Smith.
#312: The Prisoner ('67) television show intro.
#313/#314: Twilight Zone episode ('62). Eye of the Beholder.


November 01, 2011

IlluxCon 2011


Altoona Pennsylvania played host to the annual symposium of fantasy illustrators on November 3rd - 6th.  Illuxcon, now in its 4th year, gathered together many painters, sculptors, and digital artists in the business to show their work and illuminate through various seminars.

The event also had an Artist Showcase... the art show in an art show... featuring many eager, young, and new talent.  The 4 hour showcase was on Friday evening starting at 8PM.  This was where I made my Illuxcon debut.  Unfortunately, I didn't take a picture of my booth so you'll have to take my word that my booth was impressive.  I displayed 8 original paintings and some of my usual fare; postcards, portfolio, and books.

Artist Showcase
It was my first year participating and checking out the show.  I never heard of such a thing before.  Honestly, I had no idea what to expect nor what was in store.  I knew some of the talent that was going to be on display and had been a fan for many years.  I could point to any of their books that line my shelves with ease.

Normally I do comic book conventions and this was by far no comic book convention.  There was none of that retail, media, nor flea market presence.  There were only artists and their work.  It was an impressive collection that I could go on and on about.

Main Venue
It was kind of weird being one of a few artists that had nothing to do with the typical fantasy imagery.  Bruce Jensen was another one of those artists.  His style (his older style) had cool disjointed images stitched together with graphic elements.  Very unique.

Perhaps it was just me, but I sensed a growing discussion between traditional painters and the new digital alternative.  Many that I talked to had plenty to praise and object on.  The thing that everyone agreed on was that the physical piece of art was a godsend to marvel upon rather than staring at a print/reproduction.  It was refreshing to see artists, like Sam Burley, who could do both.  He had oil and digital works.  His amazing sci-fi environments shared similar brushstrokes.  It was, at times, difficult to distinguish between the two mediums.

Main Venue
Illuxcon was a gathering of like minds.  It seemed we all spoke a universal language.  We finished each others sentences.  It was cute... you would be sickened.  By the end of the event, my tear ducts had dried out.  I cried with awe, envy, and personal frustration.  It was nice to see the playing field and know where the quality of my work needs to be.

Donato Giancola gave me a very informative critique on a couple of my pieces.  He pointed out things that I knew were "off" and ways to improve.  That was good to hear.  I seldom get thoroughly detailed creative criticism.  I love my friends, but they don't articulate this to me in any way.

Although I went to the event alone, I made friends very fast.  Joe Wilson was my jovial Artist Showcase neighbor and Cynthia Sheppard was a delight to chat with; comparing day-job notes and taking that freelance plunge.  Perhaps, as I go to more of these types of gatherings, I'll make more lasting creative friendships that may possibly lead to more prosperous opportunities.  I can fantasize can't I?  It is the nature of the artist after all.